I’m sure that most of you are familiar by now with James Corden’s Carpool Karaoke, a — really, the — standout feature of his brief tenure as host of The Late
Late Show on CBS. You’ve already seen its latest installment, in which Corden drives around Manhattan with Lin-Manuel Miranda, Audra MacDonald, Jesse Tyler Ferguson, and Jane Krakowski. So you don’t need me to link to it.
But I just did anyway.
Nor do you need me to tell you that Corden will host the 70th Annual Tony Awards telecast, in which Miranda’s smash-hit musical Hamilton is nominated for a record
16 awards, on that same network this coming Sunday at 8 p.m. ET.
But I just did that anyway, too.
So what can I tell you that you don’t know?
FX will air a marathon of Fargo Season 2 tomorrow starting at 10 a.m. ET/PT.
I can’t recommend it enough. Pretty much everything that TV does well, Fargo does very, very, very well. The cast is phenomenal; the score and soundtrack are just A+; the cinematography is outstanding. Even if the plot and dialogue were nothing special this would probably be captivating television.
But they’re something special indeed. About half of the season’s scripts are credited to showrunner Noah Hawley, the novelist and former Bones story editor who wrote all of Season 1 — and who, given the copious love for the classic 1996 Coen Brothers film on which the series is based, was as bold in doing so as (it turns out) he was justified.
You don’t need to have seen the movie or Season 1 to watch Season 2. Really. I’ve seen and enjoyed the movie but, due to a low tolerance for Billy Bob Thornton, I opted out of Season 1 despite the raves. Hearing the raves for the second season and that it was set before the first, I caught up near the end of its 10-episode run last December, just in time for the finale.