Bully, a little stuffed bull who is (as Top Shelf's Chris Staros would say) my "friend thru comics," ran a DC subscription ad from 1972 the other day on his blog Comics Oughta Be Fun!.
Subscription ad from Batman #239 © 1972 DC Comics. Pencils: Carmine Infantino.
Inks: Dick Giordano [see below]. Letters: Gaspar Saladino. Script, Colors: Unknown.
It's part of the 365 Days of DC House Ads feature. Every year, Bully gifts readers with at least one nifty daily feature in addition to all the other great stuff he shares, and this latest is right in my nostalgia zone.
I wasn't quite reading comics at just over 1 year old in December 1971, when the issue from which this ad was taken — Batman #239, cover-dated February 1972 — was published. However, I've seen it in back issues since acquired, and I know that the ad was repurposed for a while (directly, in the short term; its general idea was also continued in later ads).
For some reason, even before I'd begun frequenting direct-market comics shops, I never subscribed to comics by mail. I saw the house ads, just like I did the ads offering catalogs from back-issue dealers, but my only subscription as a kid — and it was brief — was to Marvel's entertainment mag Pizzazz. Maybe I just liked browsing the spinner racks too much, or maybe I didn't want to commit to a year's worth of a whole series. Honestly, though, I don't remember ever seriously considering the idea; my parents surely would've been open to a sub as a birthday gift.
Bully surmises that this ad was penciled by Carmine Infantino. Infantino, now 87, famously drew The Flash, Batman, and more for DC in the 1960s, becoming its chief cover designer, then art director, editorial director, and in 1971 its publisher — highlights from an active career that spanned nearly 50 years. As I told Bully, I'm sure that Infantino provided at least layouts or rough pencils for the ad; the whole first panel, that curly-haired kid, and the distant city skyline are all indicative of his work. However, Tommy's face suggests to me that either another penciler worked over Infantino and went heaviest on Tommy or that whoever inked it was directed to do the same.
Bully's suggestion of Dick Giordano as inker has me less cetain. He's a likely circumstantial suspect, and he could be versatile, but it doesn't definitively look like his work to me. Based on the prettiness of both Tommy and the silent girl (who per Bully's alt-text is hot for guys who dig comics; it's always worth hovering your cursor over images at Bully's) I wonder if the inker isn't maybe Bob Oksner.
One thing that's for sure is the distinctive lettering of the legendary Gaspar Saladino, DC's go-to letterer for covers and house ads at the time. His work was often paired with Infantino's cover layouts as well as Infantino's interior pencils on material edited by Julius Schwartz — from The Flash to Mystery in Space to Strange Sports Stories. Saladino, now 86, who signed his work simply "Gaspar" once letterers were finally credited, also created numerous notable logos for both DC and rival Marvel. Gaspar's work was of such quality and so immediately (if to many readers unconsciously) recognizable that for much of the 1970s, after the departure of its signature letterers Artie Simek and Sam Rosen, Marvel had Saladino letter the first page of many stories across many series, uncredited, to ensure solid display lettering on story titles.
If anyone can zero in on exact credits for this ad, it's the brain trust on the Grand Comics Database mailing list. I'll report anything pertinent back to Bully and here as well. [24 hours later: The verdict of a couple of folks on the list whose art-spotting abilities I respect say Giordano inked over Infantino, based on his romance work, and the more I've looked at it I've been coming around to the same opinion.]