There's a six-minute animated short called "Feast" showing before Disney's Big
Hero 6, which opens this weekend, and I'm not being insensitive to the cost of movie tickets when I say it's worth the price of admission all by itself.
Screencap © 2014 Disney Enterprises.
Luckily, Big Hero 6 is good enough that you don't really have to test that premise,
but this little not-so-shaggy dog story really is a treat.
I've been working on reviews of Fox's Gotham and DC's burgeoning Arrow/Flash universe at The CW, as well as a general piece on the recent spate of comics getting adapted to television and film. The latter would be up by now if I hadn't started tinkering with images to accompany it. Which is how these happened.
Inset: Detail of cover to Action Comics #1 © 1938 DC Comics.
Photo: Still from Superman Returns © 2006 Warner Bros. Entertainment.
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The Walking Dead
Inset: Detail of panel from The Walking Dead #64 © 2009 Skybound LLC.
Photo: Screencap from The Walking Dead Ep. 4.16 © 2014 TWD Productions LLC.
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Among the first spec pieces I wrote after college in an attempt to broaden my fledgling freelance career beyond the comics industry was an article that revolved around what we now call mashups.
It's one of the many things I look forward to finding in my files one day, not least because I can't remember all of the titles it contained. Tarzan of the Planet of the Apes was not one of them, I don't think, even though it fit the premise of merging titles without adding anything new — and even though Tarzan of the Apes + Planet
of the Apes is (at the risk of spraining my arm patting myself on the back) gorgeous
in both its simplicity and its potential.
The United States Postal Service announced this past week that it would be releasing
a set of Batman stamps to commemorate the character's 75th anniversary.
As with most stamps anymore, they're self-adhesive, so Batman still can't be licked.
Art © 2004 Brian Saner Lamken.
Grandpop would have been 100 years old today. If that sounds like an abstract anniversary to you, I understand — we all will be would-have-been 100 years old eventually, assuming we don't actually make it. He only died at 96 in 2011, though, and his wife (my mother's mother) is still with us at 98½; his loss remains keenly felt.
I praised the pleasant surprise that was John Oliver's hosting of The Daily Show
when Jon Stewart took a sabbatical last summer. And I was not alone. Many TV critics predicted that Oliver would be promoted from correspondent to host of his own show — probably someplace other than Comedy Central, since a third half-hour* of satirical news and punditry there wasn't likely. That someplace turned out to be HBO's Last Week Tonight with John Oliver.
[*Stephen Colbert had yet to be named David Letterman's successor on CBS's Late Show, a move that left his post-Stewart 11:30 slot open. It has since been announced that Daily Show "senior black correspondent" Larry Wilmore will move into that slot with The Minority Report in 2015.]
One nice thing about Last Week is that it turns the glaring potential handicap of
airing on Sunday, after everyone from Stewart to Jimmy Fallon to (half the year, anyway) Saturday Night Live has taken a swing at the latest headlines, into a strength by providing longer, more in-depth looks at current or recent events than is usually done on The Daily Show and Colbert Report, never mind Weekend Update or the late-night stand-up monologues. Case in point: Last night's 15-minute segment on Miss America, a piece whose humor you'd think in this age would be as passé as the pageant itself but which has actual, thoughtful reportage, analysis, and bullshit-calling that includes the pertinent phrase "mint-condition uterus" and the admittedly but happily gratuitous phrase "James f---ing Franco".
Last Thursday was International Talk-Like-a-Pirate Day, and Comedy Central's @Midnight celebrated with an appropriate Hashtag Wars segment. As current as it is, the show tapes a little while before it actually airs to allow for editing, so the producers post the subject of each night's segment on Twitter at about 11:30 p.m. ET and invite fans to join the fun early. My old buddy and occasional Blam's Blog commenter Arben noticed the night's subject, liked it, and gave me a heads-up so that I could brainstorm along with him, then graciously allowed me to add some of his entries to mine for publication here for a total of our...
Top Twelve Pirate TV Shows
12. The Plunder Years
11. One and a Half Legs
10. So You Think You Can Penzance
9. The Avast-Me-Hearty Boys
8. Doubloony Tunes
Just imagine Humphrey Bogart playing not Sam Spade but Sam Wilson — a 1941 version of Sam Wilson, hangdog gumshoe turned Captain America's unorthodox partner.
That's what I did in mashing and mocking up this poster for Captain America and the Maltese Falcon.
I'd brainstormed the title a couple of years ago for a #BadNoir hashtag game on Twitter. While it was merely meant as a gag line, it just has so much Reese's Peanut-Butter Cup potential.
Photo: Al Levine / NBC © 1982.
What's most surprising about Don Pardo's passing on Monday is either half of this sentence taken with the other: He was 96 and still working as the primary voice of Saturday Night Live.
That was a really difficult post title to type.
Photo: Jim Britt / ABC © 1978.
I was introduced to Robin Williams, who died on Monday at the age of 63, in his guise of Mork — first on Happy Days and then, of course, on Mork & Mindy. Although I'm twenty years younger, I aged with him, or vice versa, through his stand-up and dramatic roles and talk-show appearances and film comedies and mush and, just this past year, his return to network TV.
Which I think is a big part of why his death hits so hard.
I have a few posts about Batman queued up — some by coincidence; some because
of his belated 75th birthday bash.
Panel from "The Case of the Chemical Syndicate" in Detective Comics #27 © 1939 DC Comics.
Script: Bill Finger. Pencils, Inks, Letters: Bob Kane. Colors: Unknown.
Which I'm kind-of resisting. Batman debuted at the hands of writer Bill Finger and artist Bob Kane in Detective Comics #27, dated May 1939 but likely on sale in April of that year. Given how slow publisher DC Comics was to roll out logos and other celebratory stuff for Superman's diamond anniversary in 2013 — not to mention the whole company's a few years before that — I shouldn't be surprised that today, July 23rd, was designated by DC as Batman Day.
I understand why DC would want to position the event on a Wednesday, since that's when new arrivals hit comics shops, and why it would want to do something in proximity to this weekend's San Diego Comic-Con as well. There are in fact several Batman panels scheduled for the latter, but surely that doesn't preclude (let alone abrogate) historical accuracy. Some fun stuff did see the light closer to Batman's actual birthdate, to be fair, including material in the aforementioned upcoming posts. I really should be willing to cut DC considerable slack given how commemorations of other legends over at Adventures in Comicology got punted down the line, although I finally had the sense to cut bait and reschedule — I'm about as confident as I ever get that my retrospectives marking Superman's and Batman's 80th birthdays will be worth the wait. Since I've been around for more than half of his existence now, and five years hence feels like it'll be here before we know it, maybe the answer is that I'm just turning into an old crank myself.
Things from Another World is in the middle of a brief 4th of July sale that ends
on Monday. I've praised TFAW before and may well again. While the current sale isn't as long or as deep as its roughly semi-annual blowouts, the site is on my mind because of how spectacularly it made good on a recent (and rare) problem.
I order from TFAW once, maybe twice a year, either during those big sales or from
the Nick & Dent section where certain barely scuffed items that don't meet the site's — or its brick-and-mortar West Coast stores' — standards are always at least 50% off retail. On exactly one occasion was I able to tell for sure what the nick and/or dent on an item was supposed to be. This past May, however, during another brief sale, an order arrived with two fairly thick softcovers whose entire top-right corners were bent up, as if someone had dogeared the entire book. Even had they been Nick & Dent items, which they weren't, it would've been an unacceptable situation. I contacted TFAW customer service, explained the issue, and was told that new copies would be sent out immediately; meantime, I could do with the problem books whatever I wanted. Sure enough, I got the new copies in short order and they looked great.
Just as remarkable as the ease of getting replacements, without any hassle of exchange, is the fact that the moment I saw the bent books I knew that something must've gone very wrong in TFAW's packing process and that resolving the issue would be easy. So if you're looking for a recommendation on a site with new comics, recent back issues, trade paperbacks, hardcovers, and comics-related collectibles, often deeply discounted, here's a ringing endorsement. I have no relationship with Things from Another World beyond simply being a happy customer.
Nothing against Heath Ledger or Cesar Romero, each of whom took an indelibly unique turn as Batman's nemesis, but for me Mark Hammill speaking Paul Dini's dialogue is the definite screen Joker. In a clip from a one-on-one interview during a recent Star Wars Weekend at Walt Disney World, Hammill gives Dini some mad love after treating the audience to an improvised dialogue between Gotham's Clown Prince of Crime and a certain young Skywalker.
Kate Willaert, who shares a bunch of cool stuff over at her Uncool Artblog no matter what the name says, has designed an infographic charting IMDB user ratings and domestic box-office gross (adjusted for inflation) across movie quadrilogies — film series that have produced at least four installments. The diminishing returns come as no surprise, although there are exceptions to that general rule. Film series sampled aren't nearly as numerous as those used in the sequel map that I wrote about a few years ago, but of course even in our current cinematic climate there are plenty more franchises with just one or two follow-ups than three or more.
Watching the Tony Awards telecast last Sunday, I found myself coming up with
comics-related twists on the titles of various plays and musicals. The game continued for several days until my list grew long enough to split into two — one for Marvel, one for DC (last post) — while still paring each down to about half the rough draft. Some entries are more accessible to non-comics-reading folks than others; the only rule was passing over titles that wouldn't need to be changed at all, such as The Iceman Cometh or Beauty and The Beast.
Now take your seats for my...
Top Twenty Marvel Comics Broadway Mashups
20. You're a Mole Man, Charlie Brown
19. Dirty Rotten Fandral
18. Jess Is the Spider-Woman
17. Bring in da Noise, Bring in da Hulk
16. Thoroughly Modeled Millie
Watching the Tony Awards telecast last Sunday, I found myself coming up with
comics-related twists on the titles of various plays and musicals. The game continued for several days until my list grew long enough to split into two — one for DC, one for Marvel (next post) — while still paring each down to about half the rough draft. Some entries are more accessible to non-comics-reading folks than others; the only rule was passing over titles that wouldn't need to be changed at all, such as Man and Superman.
Now take your seats for my...
Top Twenty DC Comics Broadway Mashups
20. Riddler on the Roof
19. My Fair Lady Blackhawk
18. Ain't Mister Mxyzptlk
17. Captain Carrot and His Amazing Technicolor Zoo Crew
16. The Justice League of American Buffalos
So. You might've noticed that content around here has been sparse to nonexistent lately.
The reasons for this are, unfortunately, manifold. I spent much of last year setting up Adventures in Comicology, a website meant to archive my past writing on comics and steadily stream new material to boot. Posting here on Blam's Blog in 2013 fell to well under one whole freaking half the volume of previous annual totals — just a third of 2012's high-water mark — and even though I'm working to resume the flow this week I'll barely have reached a meager dozen entries for 2014 to date by July. I'd honestly be fine with that if technical problems, along with the inability to properly deal with those problems due to other life stuff, hadn't ground progress on Comicology and related projects to a halt. While it's bad enough simply not being able to put in as much time and effort as I'd like, it's far more frustrating to put in considerable time and effort yet have so little to show.
More pressing matters will continue to demand my attention in the short term, but hopefully by summer's end you'll see things pick up here a bit. Another, more detailed status update on all things me will be along when that happens. Stay cool.
Panel © 2014 and Cynicalman ® Matt Feazell.
I've guest-written a strip for Matt Feazell that just went live at the Cynicalman website. Episodes don't get updated online as often as they used to, but I'm still not sure how long it'll be up before a new one replaces it and it's archived for eventual collection. Speaking of which, The Amazing Cynicalman Volumes 1 & 2 — highly recommended; ditto any or all Feazell minicomics you care to grab — are available via that same website. Matt's been doing hilarious work with astounding economy of line since the days people mailed paper to one another in envelopes. I'm hoping to contribute more gags in the future — like he needs my help.